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Will Forte

Emotionally Animated ‘My Life as a Zucchini’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Leave it to the Europeans to inject some realistic drama into the art of animation. The recently Oscar nominated “My Life as a Zucchini” is opening in Chicago this weekend, and tells the story of parental abandonment, orphanages and finding family. Co-produced by France and Switzerland, it uses a familiar claymation stop-motion style for more emotional resonance.

Quiet Desperation Gets Louder in ‘Nebraska’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Bruce Dern is an actor who has turned in some indelible performances in his over 50 year film career. He saves one of the best for now, as he breathes life into an old man who wants one more time in the sun. So begins a journey with his son, portrayed by Will Forte, in “Nebraska.”

‘Cloudy with a Chance of Meatballs 2’ Wins with Foodimals, Overemphasizes Humans

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – I was paying attention to the movie. Correction: I was mostly paying attention to the movie. It was challenging to ignore my angry, empty stomach and fully enjoy the food coma that is “Cloudy with a Chance of Meatballs 2”. Just don’t make the same mistake I did and eat before you do.

Dance is the Highlight in Simplistic ‘Step Up Revolution’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The beauty of the movies is their ability to create weird parallel universes, where young dance crews have the choreography skills of a hip-hop Bob Fosse, the time/funding to create this dance and a law enforcement culture that allows it. Welcome to the “Step Up Revolution.”

Ben Stiller in ‘The Watch’ Needs a Better Mechanism

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Star studded, special effects ladened “comedies” featuring aliens should have been put to rest after last year’s “Paul.” But “The Watch” is here, and it features Ben Stiller, Vince Vaughn, Jonah Hill and an odd Richard Ayoade as four suburban neighborhood watch volunteers who end up hunting space men. Yep, right after “Paul.”

‘A Good Old Fashioned Orgy’ Can’t Get it Up

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Rarely have so many talented comedians been sucked into a more depressing morass of bad comic timing and worse writing than in the dreadful “A Good Old-Fashioned Orgy,” a movie with a bunch of people I like making a comedy I really, really hate. This movie knows nothing about friendship, sex, or, most importantly, comedy.

Will Forte, Kristen Wiig Explode a Megaton Bomb in ‘MacGruber’

HollywoodChicago.com Oscarman rating: 0.5/5.0
Rating: 0.5/5.0

CHICAGO – In a parallel universe, perhaps a version of “MacGruber” exists that actually understands that comedy should be funny…oh what a beautiful world that would be. Here in this astral plane Will Forte, Kristen Wiig, Ryan Phillippe and Val Kilmer, plus the writers, director and craft services obviously conspired to create a movie bomb that no one could diffuse.

Slapstick in ‘The Brothers Solomon’ Dumber Than ‘Dumb & Dumber’

HollywoodChicago.com Oscarman rating: 2/5CHICAGO – With 2007 films like “Knocked Up” and “Superbad,” the smart and embarrassingly truthful geek comedies are the current wave of humor in America.

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  • Transformers 5 front

    CHICAGO – Knock me over with a feather kids, but I enjoyed “Transformers: The Last Knight.” Maybe it was in comparison to the others or maybe director Michael Bay has beaten me into submission, but this one had the right story elements and casting to make it work, with exceptions of course. It’s goofiness is its charm, and it was released on Blu-Ray/DVD on September 26th, 2017 (Digital HD already available).

  • Wonder Woman

    CHICAGO – There are few films in 2017 that are as historically important as they are cinematically well-crafted. Of those, there is only one I saw three times in theaters. That honor comes in the form of the revolutionary “Wonder Woman,” which not only shows huge promise for the future of DC Comics films but for comic book-based films as a whole.

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