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Marvel

‘Logan’ Bares Its Sharp Claws & Eviscerates Us Emotionally

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – There is a war raging in the comic book cinematic universe where filmmakers think that these kinds of films should embrace their over the top (verging on campy) nature while others think they should be darker and made deathly serious. “Logan” proves that they are both wrong as it strikes a balance between all of those elements while remaining true to the character.

Complex, Wow-Inducing ‘X-Men: Days of Future Past’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Although a post graduate degree in space/time continuum studies may be necessary for maximum enjoyment, “X-Men: Days of Future Past” still delivers a comic book wham-bam, and the series continues its exploration of recent history through the prism of a mutant universe.

Big Spectacle, Small Heart in ‘The Amazing Spider-Man 2’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – For a film with so much eye candy that it threatens ocular diabetes, “The Amazing Spider-Man 2” is decidedly low in story rhythm and energy – even with a villain named Electro. The story also has the “three villain syndrome,” which allows for a lack of focus and heart.

‘Thor: The Dark World’ is Little More Than Marketing For ‘The Avengers 2’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Few major films have felt less creatively inspired and more commercially conceived than Alan Taylor’s dull “Thor: The Dark World,” a wannabe blockbuster with all the personality and ingenuity of a straight-to-DVD sequel. It is a film that simply fades into the background of other films, both already produced and still-to-come.

Audacious ‘The Wolverine’ Also a Bit Excessive

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Following the release of “Iron Man 3” and “Man of Steel,” “The Wolverine” is the best of the bunch, simply by following “The Dark Knight” and the Marvel Comics formula, creating a conflicted superhero who cannot conform to any conventional definition of heroism.

Matthew Vaughn’s Entertaining, Stylish ‘X-Men: First Class’ Rocks

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Matthew Vaughn rights the ship of mediocre superhero movies with the incredibly accomplished “X-Men: First Class,” the best Marvel Movie since “Spider-Man 2” and a film that proves that big blockbuster summer entertainment can be both commercially crowd-pleasing and intellectually complex at the same time. “X-Men: First Class” features a spectacular mix of well-choreographed action, revisionist history, themes of tolerance, and great performances. This will be one of the best movies of this season.

‘Iron Man’ Sits Indisputably in Club of Highest-Rated Superhero Movies of All Time

HollywoodChicago.com Oscarman rating: 4/5CHICAGO – Move over, Superman. This lush, high-octane playboy never tasted so good.

Robert Downey Jr. fittingly opens “Iron Man” with a cocktail in hand and all the arrogance in the world. As the story goes, his conceit is indeed respected as Earth is his oyster both for the playing and for the taking.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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