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African American

‘Get Out’ is Funny, Scary & Tells Us About Us

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – When he got his chance, writer/director Jordan Peele (“Key & Peele”) completely understood what he had to do – combine his skewered hilarity, love of horror movies and true social conscience, and put them all into one great movie. Ladies and germs, “Get Out.”

Brainiac Fulfillment is the Key to ‘Hidden Figures’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In America, there is the history we have, and the history that we want to have happened. “Hidden Figures” falls into the second category, but it’s presented in such a way that it fulfills the goal – tell an amazing story about a group of African American women who helped launch men into space.

Alternate American Dream Played Out in ‘Dope’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – If you’re lucky enough, you’ll never know what it’s like to grow up in a poor American neighborhood. But what if the notions of such societies are flipped on its ear, and what if the message draws attention to our current perceptions of race? This is what the new film “Dope” conveys.

‘Good Hair’ Has Chris Rock Getting to the Roots of Follicle Follies

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Positioning himself as a informational bridge-builder, comedian Chris Rock explores the often complex social economics of African American hair, specifically the intense styling that is a borderline obsession for women of color.

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  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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