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Science Fiction

Suspenseful ‘Life’ Is Tense, Compelling Science Fiction

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Combining the invasion elements of “Alien” with the life-raft-in-space morbidity of “Gravity,” the new film “Life” maintains a grip from the enlightened beginning to the twisted end. Mars is the origin, so the film joins “The Martian” and “The Space Between Us” in sourcing the red planet.

Story Can’t Match Eye-Popping Visuals of ‘Passengers’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The use of science fiction for all kind of stories is one of the hottest go-to genres for Hollywood today. “Passengers” is a love story, and adds the visual glory of modern special effects…but the soapy tale of a star-crossed (literally) couple is problematic and cliché ridden, and breaks at the end with heroics that are shoehorned into the rest of the scenario.

Science of the Human Condition Makes an ‘Arrival’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The film genre of aliens from other planets is as old as the movies. But it hasn’t been told as boldly and humanely as the new film “Arrival.” Its theme is communication, and how this interaction relates to the concept of the life cycle. Yes, it’s lofty, but it is also edge-of-the-seat engaging.

‘Morgan’ Takes Out Intelligence in Artificial Intelligence

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – There is nothing like the feeling of watching a completely immersive sci-fi film that delivers the complexity of technology in a modest package, and uses elements of nature to create a beautiful contrast. Unfortunately, “Morgan” doesn’t deliver on the enlightenment it promises.

There are Future Consequences in ‘Ex Machina’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The title “Ex Machina” is a play on Deus ex machina, the stage/scenario term meaning god from the machine, or the basic happy ending. By cutting out the “Deus” in the phrase, the film is left with just the machine, and the humans.

Farcical Themes Bring Laughs to ‘The World’s End’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – In the collaboration of actors Simon Pegg, Nick Frost and director Edgar Wright, the best in life come in threes. Following their sublime “Shaun of the Dead” and the wacky “Hot Fuzz,” comes ther third comic film rendering, “The World’s End.”

Odd Fairy Tale of ‘Upside Down’ is Also Inside Out

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Definitely one of the strangest films so far in 2013 is “Upside Down,” featuring a dream pairing of Kirsten Dunst and Jim Sturgess. The problem is they exist as disparate lovers on opposing planets, with opposite gravitational pulls. Thus what is up for Kirsten is down for Jim, or vice-versa?

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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